“My Life by Water” – a found poem by M. Stone

I greatly enjoyed M Stone’s found poem “My Life By Water”, constructed using… well, you can follow the link to find out – and does it matter? It stands on its own merits as an evocative piece of writing with some interesting juxtapositions.

MY LIFE BY WATER
I rose from marsh mud.
I knew a clean man
I married
in the great snowfall.
Consider at the outset—
I am sick with the Time’s
tradition.
Keen and lovely man,
alcoholic dream.
I lost you to water, summer.
Now in one year
my life is hung up.
July, waxwings
hear
something in the water.
Along the river,
the graves—
traces of living things.

Writer M. Stone

I’m thrilled that my found poem “My Life by Water” is included in the new issue of Unlost Journal! Many thanks to the Editors.

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“Machinery” by Robert Wrigley

On what would have been my father’s 87th Birthday this poem by Robert Wrigley seems fitting. It captures something of the tension between the worlds of literary endeavour and the practical, literal workaday world ; a world with, as Wrigley writes, its own evocative vocabulary and moments of poetry:

Machinery

by

 

My father loved every kind of machinery,

relished bearings, splines, windings, and cogs,

loved the tolerances between moving parts

and the parts that moved the parts,

the many separate machines of machinery.

Loved the punch, the awl, the ratchet, the pawl.

In-feed and out-feed rollers of the thickness planer,

its cutter head and cutters. The barrel and belt sanders,

the auger, capstan, windlass, and magneto.

Such a beautiful vocabulary in his work, words

he knew even if often he did not know

how they were spelled. Seals, risers, armatures.

Claw, ball-peen, sledge, dead-blow, mallet,

hammers all. Butt, mitered, half-lap,

tongue and groove; mortise and tenon,

biscuit, rabbet, dovetail, and box: all joints.

“A poem is a small (or large) machine

made of words,” said William Carlos Williams.

“To build the machine that makes the machine,”

said Elon Musk. Once my father repaired

a broken harpsichord but could not make it sing.

The chock, the bore, the chisel. He could hang a door,

rebuild an engine. Cylinders, pistons, and rings.

Shafts, crank and cam. Hand-cut notches

where the hinges sat. He loved the primary feathers

on the wings of a duck, extended and catching air,

catching also the tops of the whitecap waves

when it landed. Rods, valves, risers, and seals.

Ailerons and flaps, yaw control in the tail.

Machinery, machinery, machinery.

Four syllables in two iambic feet. A soft pulse.

Once I told him what Williams said,

he approached what I made with deeper interest

but no more understanding in the end.

The question he did not ask, that would have

embarrassed him to ask, the question I felt sure

he wanted to ask, the one I was too embarrassed 

to ask for him, was “What does it do?”

Eventually the machine his body was broken,

and now it is gone, and the mechanically inclined

machine in his head is also gone,

and most of his tools. The machines that made

the machines are gone too, but for a few

I have kept in remembrance. A fine wood plane

but not the thickness planer, which I would not know

how to use. A variety of clamps I use to clamp

things needing clamping. Frost said

“poetry is the sort of thing poets write.” My father

thought it was the sort of thing I wrote,

but what mattered to him was what it did.

What does it do, and what is it? 

A widget that resists conclusions.

A crank that turns a wheel

that turns. A declaration of truth

by a human being running at full speed

in a race with no one, toward nowhere

except away from the beginning and toward arrival.

Once my father watched the snow

and noted how landing on the earth it melted.

He said, “It’s snow that doesn’t know it’s rain.”