The lost worlds of Debois and Julieta Guipeal at the Tipperary County Museum

The lost worlds of Debois and Julieta Guipeal at the Tipperary County Museum

This is Portrait of a Man, by Julieta Guipeal:

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Apologies for the photo quality – this was taken with my phone’s camera in a well-lit (and thereby reflective) space.

It is currently on display as part of an exhibition called Reflections in Tipperary County Museum, Clonmel. Here is a bit of background on the exhibition:

Earlier this year [2018], Tipperary County Museum initiated a vital research project which focused on the origins of its municipal art collection. Art Historian, Catherine Marshall was appointed Curator in Residence at Tipperary County Museum to oversee this particular project. The result of Catherine’s findings will be documented in a specialised catalogue in early 2019 and the accompanying exhibition ‘Reflections’ will exhibit approximately 65 paintings which have remained unseen by the general public for many years.

This Tipperary Art Collection is the result of active, committed and sustained citizenship by a small group of people, from those who established the South Tipperary Fine Arts Club in the 1940s, to individual donors like William English in the 1980s and more recently Tipperary County Council S.R., South Tipperary County Council and our now unified Tipperary County Council.

Portrait of an Artist and others of the most interesting works (including “F***lands 1982”) are part of the William English Bequest. I haven’t been able to find out much about William English online (possibly because there is an artist of that name) this article:

Subsequently, the original collection was added-to by a number of bequests, the most notable of which came from Clonmel man, William English. This brought relatively modern artists (working in the late decades of the 20th century) into the gallery: Robert Ballagh, Patrick Pye, Leo Hogan, Julieta Guipeal, and the Clonmel-born artist, Martin Quigley.

The above article by Margaret Rossiter is the only online reference to Julieta Guipeal I could find.  The catalogue for the exhibition states “All attempts to find the artist Julieta Guipeal have so far come to nothing. While almost all of the William English Bequest was acquired in the Limerick area, enquiries about Guipeal there have yielded no information, nor have early international searches”:

 

Here is another, unfortunately blurry, view of Portrait of A Man:

Julieta Guipeal is not the only lost artist on display. Here is a work whose very title is a mystery. Is it  EA or A1/2?  We known it is signed by “Debois”, but who is Debois? Again, apologies for the quality:

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Here is the image in a bit more context with a great big stonking reflection of myself hogging the frame:

While in Guipeal’s case one can make assumptions (possibly misleading ones) about gender and possible ethnicity, in Debois’ case we have even less to go on. As the catalogue states “No information has come to light about the artist who signed this work, Debois, and no indications of how William English came across his or his work. That is all the more intriguing since the work itself is so tantalisingly dreamlike and surreal”:

 

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So there you have it – I have posted before here about the amnesia of our supposedly information-saturated age., and here we have two intriguing works, each by an artist apparently unknown for anything else.

Gizella Bodnár AKA “Airplane Gizi” RIP

Gizella Bodnár has died. No, I hadn’t heard of her either until I came across her via Wikipedia’s Recent Deaths page. Hungary’s “Queen of Thieves”, she also earned the name “Airplane Gizi’ due to her M.O. of making hadty getaways using domestic flights.

More on Gizella and the rather tragic backstory to her kleptomania :

The fourth of six children born to a railroad engineer father and a housewife mother, Gizella, or Gizi for short, started to steal small things while still a child. She attributed her kleptomania to meningitis which she survived at the age of six. Later she studied in Kassa, but when World War II broke out the stress of it brought her kleptomania to the fore again.

In the early 1950s, Malév, the national Hungarian airline, used to provide domestic flights between cities throughout Hungary. Bodnar’s clever ploy was to fly from Budapest to Miskolc, Debrecen, Szeged, Pécs, and Szombathely where she would break into houses and then fly back home to the capital on the evening flight; although she always denied ever having flown in a plane.

Hungary was not the only country in which she practiced her purloining ways. Among other watch loving capitals, she also committed regular break-ins in Amsterdam, London, and Paris. Part of her modus operandi was to knock on a neighbor’s door in the morning to borrow some condiments for cooking, which she would then return in the evening, thereby providing herself with an alibi for two distinct parts of the day.

During her long career, she was arrested twenty-one times between 1948 and 2006 and stood trial over 20 times. Ultimately, she was convicted to a total of 40 years in jail of which she served a total of 16 years and 7 months in prison.

She moved to the town of Komárom, where she was arrested in January 2009, at the age of 82, for breaking into a house. Late in her life, she was diagnosed with kleptomania: she admitted to liking “shiny things” and claimed that she mostly gave away all her loot to other people rather than selling it, a claim supported by the fact that at the time of her death she had no possessions to her name.

In this age of active ageing, it is heartening to find Gizella continued her criminal habits into her 90s:

In 2015, at the age of 89, incorrigible Gizella was arrested twice, once in June and again in September. In the latter instance, she was found in a cupboard, where she claimed she was hiding from the rain outside. She was arrested again in February 2016 in Sukoró, and again in August 2017 in Tatabánya.

In this age of active ageing, it is heartening to find Gizella continued her criminal habits into her 90s:

In 2015, at the age of 89, incorrigible Gizella was arrested twice, once in June and again in September. In the latter instance, she was found in a cupboard, where she claimed she was hiding from the rain outside. She was arrested again in February 2016 in Sukoró, and again in August 2017 in Tatabánya.

Happy Birthday Edgar Allan Poe, and a cheers to the Poe Toaster

Poe would be 210 if he was alive today, which would be a surprising development for all concerned. And presumably today will see the appearance of the Poe Toaster at Poe’s Baltimore grave. Alas, this is a revival of the original mysterious decades-long toaster:

 

Poe Toaster is a media epithet popularly used to refer to an unidentified person (or more probably two persons in succession, possibly father and son) who, for over seven decades, paid an annual tribute to American author Edgar Allan Poe by visiting the cenotaph marking his original grave in Baltimore, Maryland, in the early hours of January 19, Poe’s birthday. The shadowy figure, dressed in black with a wide-brimmed hat and white scarf, would pour himself a glass of cognac and raise a toast to Poe’s memory, then vanish into the night, leaving three roses in a distinctive arrangement and the unfinished bottle of cognac. Onlookers gathered annually in hopes of glimpsing the elusive Toaster, who did not seek publicity and was rarely seen or photographed.

According to eyewitness reports and notes accompanying offerings in later years, the original Toaster made the annual visitation from sometime in the 1930s (though no report appeared in print until 1950) until his death in 1998, after which the tradition was passed to “a son”.[1] Controversial statements were made in some notes left by the post-1998 Toaster, and in 2006 an unsuccessful attempt was made by several onlookers to detain and identify him. In 2010 there was no visit by the Toaster,[2] nor has he appeared any year since, signaling an end to the 75-year tradition.[3][4]

Pleasingly, the revival since 2016 has maintained the anonymity aspect:

 

In 2015, the Maryland Historical Society organized a competition to select a new individual to resurrect the annual tribute in a modified, tourism-friendly form. The new Toaster—who will also remain anonymous—made his first appearance during the daylight hours of January 16, 2016 (a Saturday, three days before Poe’s birthday), wearing the traditional garb and playing Saint-Saëns‘ Danse macabre on a violin. After raising the traditional cognac toast and placing the roses, he intoned, “Cineri gloria sera venit” (“Glory paid to one’s ashes comes too late”, from an epigram by the Roman poet Martial), and departed.[25]

The mysterious number 6174

6174. Does not seem, at first glance, an interesting number. Maybe paradoxically uninteresting? Or maybe not, for as Yutaka Nishiyama wrote back in 2006 here, 6174 pops up in a rather interesting manner:

In 1949 the mathematician D. R. Kaprekar from Devlali, India, devised a process now known as Kaprekar’s operation. First choose a four digit number where the digits are not all the same (that is not 1111, 2222,…). Then rearrange the digits to get the largest and smallest numbers these digits can make. Finally, subtract the smallest number from the largest to get a new number, and carry on repeating the operation for each new number.

It is a simple operation, but Kaprekar discovered it led to a surprising result. Let’s try it out, starting with the number 2005, the digits of last year. The maximum number we can make with these digits is 5200, and the minimum is 0025 or 25 (if one or more of the digits is zero, embed these in the left hand side of the minimum number). The subtractions are:

5200 – 0025 = 5175
7551 – 1557 = 5994
9954 – 4599 = 5355
5553 – 3555 = 1998
9981 – 1899 = 8082
8820 – 0288 = 8532
8532 – 2358 = 6174
7641 – 1467 = 6174

When we reach 6174 the operation repeats itself, returning 6174 every time. We call the number 6174 a kernel of this operation. So 6174 is a kernel for Kaprekar’s operation, but is this as special as 6174 gets? Well not only is 6174 the only kernel for the operation, it also has one more surprise up its sleeve. Let’s try again starting with a different number, say 1789.

9871 – 1789 = 8082
8820 – 0288 = 8532
8532 – 2358 = 6174

We reached 6174 again!

And you reach it again and again. For three digit numbers, 495 occupies a similar role.

 

Don’t trust Alexa Crazy Fact: the name “Wendy” wasn’t invented for Peter Pan (and pig orgasms don’t quite last as long as all that)

One of the skills of Amazon’s Alexa is Crazy Fact. This skills allows Alexa to pop up with a fact which is a little unusual or offbeat. From this, I learnt that in space, no-one can hear you snore.

Recently Crazy Fact informed me that the name “Wendy” was invented by J M Barrie for Peter Pan and didn’t exist before this.

It sounded dubious, and a few seconds of web searching revealed that it is not true:

But we have absolute proof that there were earlier Wendys, thanks to the just-released 1880 U.S. Census and the 1881 British Census (available here). These documents show that the name Wendy, while not common, was indeed used in both the U.S. and Great Britain throughout the 1800s. I had no trouble finding twenty females with the first name Wendy in the United States, the earliest being Wendy Gram of Ohio (born in 1828). If you include such spelling variations as Windy, Wendi, Wenda, and Wandy the number triples.

So there you go. Crazy Fact also claims that pigs’ orgasms last 30 minutes.

This is largely not true, so to speak:

 

There is one final rumour that has to be addressed: the oft-repeated “fact” that male pigs can orgasm for 30 minutes.

According to observations of males with real sows, copulation duration is typically 4-5 minutes, but can last up to 20 minutes

The first thing to say is that we don’t know what sensations the males – or the females for that matter – experience when they mate, so any talk of orgasms is speculative.

But based on the ubiquitous “gloved hand” method used to coax sperm from male pigs, ejaculation does appear to last a very long time. In a 2012 study of “high performance boars”, the average duration of ejaculation was around 6 minutes. But there was considerable variation, with one male apparently yielding semen continuously for 31 minutes.

It is difficult to know whether this kind of protracted ejaculation can occur in the absence of the “gloved hand”, but it is certainly a possibility. According to observations of males with real sows, copulation duration is typically 4-5 minutes, but can last up to 20 minutes.

Whatever the truth about orgasms, an online primer on how to artificially inseminate pigs warns practitioners not to interrupt the male before he’s done, unless they want a very angry pig on their hands. “If you let loose too soon, be prepared for a challenge.”

I’ll say.

“The Menace From Ennis”, a lost classic from Sonny Knowles

The singer Sonny Knowles “known as The Window Cleaner to his fans,”, a staple of the Irish showband scene, has died.

Via Wikipedia I came across this, which I screenshotted in case the uncited reference to two 1966 masterworks got deleted:

I can’t find online recordings of either “Chuaigh Mé Suas Don Chluiche Mór” (I went up to the big match”) or “The Menace From Ennis” However their existence is partly verified by the the Wikipedia page for Ireland’s selection process for the 1966 Eurovision. I note a 20 year old Dickie Rock took part.