It’s the moment you’ve all been waiting for! I wonder why Spotify do this with over three weeks of the year still to go? Perhaps it is so that is isn’t overwhelmed by Christmas songs. And I wonder does the “year” therefore comprise 11 months and a little under a week?
This year I expected (yes, I have been thinking about this) that the influence of my children’s use of our Spotify would become apparent. To a degree it has, with the Greatest Showman soundtrack featuring heavily. I thought I expected George Ezra’s Shotgun to be way ahead of everything else, but it wasn’t.
The top two are both songs (or perhaps more properly recordings) which I have tended to use to endeavour to get my children (and myself at times) to sleep. Number 2 is a recording by Gordon Hempton, Ocean Dreams, nearly an hour of ocean sound. I have listened to it in full waking as well as as a sleep aid, and it is quite an aural trip:
The number one is Ekkehard Ehlers’ Plays John Cassavetes 2. Based on a recurring sample from the Beatles’ “Goodnight” Again it’s a wonderful listen for non-sleep related purposes also! Here is a video of it on a one hour loop, if you have spare time after Ocean Dreams:
Number 3 is “HImlico’s Map”, with Mick Lally speaking over Shaun Davey’s music. This is the opening of Davey’s “The Pilgrim”, and also the opening of a playlist I put together called, um, The Pilgrim.
Here’s an extract from The Pilgrim sleeve notes:
Himlico’s Map: Colum Cille Leaves Derry. Mick Lally, Narrator and Helen Davies, metal-string harp. Himlico was a Carthaginian who was sent during the 6th or 5th century B.C. to explore the coastline of Western Europe. Although his original report is lost it is thought to form a basis of a poem by Avienus, a 4th century A.D. official of the Roman Empire. An extract from this, one of the earliest written descriptions of the Celts, is followed by three of a number of verses ascribed to Colum Cille at the time of his departure from Derry in the 6th century A.D.
Here is “Himlico’s Map / Colum Cille Leaves Derry” on YouTube, with a fairly trippy visual accompaniment:
OK, I’m not going to go through each one like this… honest. I do think the playlist is a fairly accurate reflection of what I listen to, although I have been listening to quite a bit of fairly honest-to-goodness guitar-based rock lately which hasn’t made it to this (nor has much by way of country, and only a few electronica). I also listen to a fair bit of the Beatles, Sinatra and Dylan, but possibly too diffuse a range of tracks for one to make it. I also have some playlists which are basically multiple versions of the same song or piece – for instance this one of various interpretations of Chopin’s Raindrop Prelude . Quite a few of these versions feature in my annual top 100. That probably pushes the classical percentage, already pretty high, even higher.
Spotify also produce a playlist called “Tastebreakers” which is supposedly “a playlist of songs from genres and artists you don’t normally explore” Whatever about the artists bit, I can’t say that the genres are unfamiliar. A fair bit of jazz, a fair bit of country, a fair bit of soundtracks … it isn’t that far from my familiar furrows.